Tag: Photography

OSTRANENIE–the Art of Erik Linton

OSTRANENIE [Ah-strah-nuh-nee]
The technique of presenting common things in an unfamiliar way, in order to enhance the perception of the familiar.

Erik Linton, is a one of a kind artist. He uses ostranenie to make ordinary things extraordinary. Seeing his art provides a new perspective on the world around us.

https://youtu.be/e4lWCTn6JOk

Erik Linton was born and raised along the Wasatch front, in Utah. His artwork was largely influenced by the mountains near his home. One of his missions as an artist is to help people see things that surround them in different ways. Tree prints provide a unique and extraordinary look into a micro and macro world. Erik gathers wood from fallen trees and tells their story in print–art prints.  Erik lives in Hyrum, Utah, with his wife and children. See more of his work here.

I had the opportunity to direct, shoot and edit this video for Stiry.

 

Fall Colors in the Wasatch

It was summer. And then, it wasn’t. It seemed like we skipped fall and went directly to winter.  Temperatures dropped overnight. One day it was hot. The next day it was not. I wanted a smooth transition from summer to winter–a gradual cooling, drifting gently into winter’s white. Not this immediate shorts and flip flops yesterday, ski parka and gloves…

Southern Utah by Drone

The red rocks and blue skies of Southern Utah provide striking scenes for aerial cinematography.

It was late afternoon when I was finally able to open my drone case and get some shots. I felt like I needed to hurry because there was so much beauty and so little time to fly. I barely scratched the surface, so to speak. The good news is, there is much to see and capture next time I go back.

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Flying my Phantom 4 in the mountains

I thought it would be easy, flying a drone. And, in truth, the technology makes it much easier than it could be. Nevertheless, it is still easy to crash. Believe me, I’ve done it. Fortunately not yet catastrophically.

Standing in a high mountain meadow, I take off. My phantom 4 rises effortlessly and hovers. In truth, every time I take off I have this feeling that I’m going to loose it, my drone that is. It is going to fly away, or, get blown away, or, run into something, or…I can go on thinking of all the possible ways I might loose or crash my drone. Nevertheless, the good pictures and the great footage do not reside near where I stand. If they did, I wouldn’t need a drone. So, I send my phantom 4 off into the sky.

Having passed my Federal Aviation Administration part 107 test and received my FAA UAS certified remote pilot rating, I know that I must fly VLS, visual line of sight. The specs on my phantom say that it has a 3.1 mile range. I, on the other hand, can not see my drone once it has gone about a half mile. I probably need glasses. However, I’m trying to find a balance between VLS and reasonable range. I haven’t found it yet.

I fly over the aspen trees toward Mount Timpanogos. The sun is setting and with fall approaching, the colors and the imagery are amazing. I’m trying to get the right exposure, watch the drone and watch the screen when I get a message telling me that the signal is weak. My phantom is not that far away. Then the message changes–signal lost.

What?

My drone is out there flying, by itself? And, I must admit, I can’t see it. It has gone out of my sight behind a stand of Aspen trees.

That knot in the pit of my stomach tightens.

The specs say that the phantom 4 is supposed to return to home upon signal loss. I can’t hear it and I can’t see it. I start walking uphill through the meadow. If I can just get to a higher vantage point. I hold my controller over my head. The signal returns. My drone is found. Hallelujah.

The battery life is running critically low so I bring it in for a landing. The sun drops behind the mountain and I pack up my gear.

When I look at the footage, I’m amazed. It actually looks pretty good. Nevertheless, you be the judge.

Aerial photo of Uinta National Forest in the fall.

Fall comes to the high mountains above American Fork Canyon in the Uinta National Forest.

James Dalrymple Documentary Demo Reel

I have had the privilege over the last several years to travel the world shooting and producing short documentary films. I have been in over 65 countries on every continent except Antarctica. I have had marvelous experiences, made friends, tasted  exotic foods, seen incredible sights and experienced my own personal miracles. I hope to continue traveling and filming throughout the world. I may yet make it to Antarctica. In the mean time, I thought I would post a selected montage reel, with the musical help of Bono and U2. I didn’t ask their permission. If Bono asks me to change the music I will 🙂

 

I also would like to credit two of my very talented friends who traveled with me to many of these countries: Tom Garner and Curtis Anderson. They are incredibly talented cinematographers and filmmakers. Some of the shots in this reel belong to them; although, I don’t remember which ones. Sorry Guys.

I hope you enjoy the reel. Let me know what you think.

The Human Family

Where ever and whenever I travel, I enjoy meeting people. There are many differences among countries, languages, cultures, foods, politics, etc. Yet, we are all part of the human family.

As I travel I like to shoot documentary or street style photography and video, especially of people. In the faces of those I meet and those I photograph, there are untold stories, written in the eyes and the smiles and the wrinkles of their expressions.

I must admit that occasionally I steal their photographs with a long lens. Other times, in the mode of street photographer I am moving too fast or too slow to catch up to them. I do not and would not try to compromise another’s dignity. I do try, whenever possible, to ask permission. My goal is to capture a bit of the human condition and share some of the unwritten stories of our lives.

Here are a few photographs I have taken of my brothers and sisters of the human family.

Comments are welcome. I’d love to hear what you think.

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